Iako se ne moze reci da beogradska muzicka scena oskudeva u lepim glasovima, svaka pojava novog kvalitetnog pevaca (jos ukoliko se radi o tenoru), tesko prolazi neopazeno.

Isto vece kada u Centru "Sava" gostuje Srpsko narodno pozoriste iz Novog Sada sa izvanrednom novom postavkom "Lucije od Lamermura" Gaetana Donicetija, u Centru lepih umetnosti Jovana Kolundzije "Guarnerius" peva tenor Goran Dime. Ne znamo da li je ovaj umetnik mogao da izabere nepogodniji datum za svoj koncert tek, elegantna dvorana bila je ispunjena toliko da su manjkala cak i mesta za stajanje.

Posle proslogodisnjih nastupa u SANU i "Guarneriusu", resitala sa uglavnom konvencionalnim programima, Goran Dime upustio se u krupan poduhvat, vece napolitanskih pesama. Manje i vise popularne kompozicije Kapue, Falva, Tostija, Valentea, Biksija, Taljaferija, Leonkavala... samo se naizgled mogu citati kao "laki" zanr s obzirom na muziku velike lepote i zavodljivosti ali i mogucnosti iskliznuca u domen prenaglasenog patosa i time - lakomislenu lezernost. Goran Dime (pevanje ucio kod Radmile Smiljanic, Biserke Cvejic, Gaetana Bardinija; mada je za njegov uspon najbitnija saradnja sa eminentnim beogradskim vokalnim pedagogom Oliverom Jovanovic), sa podjednakim uspehom izvodi stare majstore, savremene (domace) autore, operski repertoar, lid i - napolitansku pesmu. Ovaj ekstravagantni pevac (okusavao se i u pop muzici), okrenut je, nadamo se - ne definitivno, koncertnom pevanju.

Goran Dime je rafiniran lirski tenor, glasa lepe boje i velikog volumena, dobro pokrivenih svih registara. On je pevac izrazite muzicke inteligencije: u biti posvecen pronalazenju prostora za muzicki tekst na koje je usmeren; istovremeno i fascinantnog temperamenta i potpune samokontrole. U svemu tome znacajnu podrsku dobija od pijanistkinje Aleksandre Lalovic sa kojom, pretpostavljamo usled koincidencije istovrsnih senzibiliteta, ostvaruje prekrasnu celinu jednosatnog napolitanskog "buketa".

Ipak, zanimljivo bi bilo cuti kako Goran Dime zvuci na operskoj sceni, recimo, u ulozi Lenskog...

NEAPOLITAN LANDSCAPES

A tenor, Goran Dime and a piano-player Aleksandra Lalovic, with their program in “Guarnerius” hall

Musical review

Marija Ciric

Although it could not be said that Belgrade musical scene lacks beautiful voices, every appearance of a new and good singer (all the more if it’s a tenor) hardly goes by without being noticed.

          At the same evening when the Serbian National Theatre gives a guest performance at the “Sava” Center, with its outstanding new staging of “Lucia di Lamermour” by Gaetano Donizzeti, in the Jovan Kolundzija’s Center of Beaux Arts “Guarnerius” sings tenor Goran Dime. We don’t know if this artist could have chosen the more inconvenient date for his concert but, nevertheless, the elegant hall has been packed up so that it lacked even the standing places.

          After the last year’s performances in Serban Academy of Sciences and Arts, as well as in “Guarnerius”, recitals with mostly conventional programs, Goran Dime launched himself in a serious project, the evening of Neapolitan songs. More or less popular compositions od Capua, Falvo, Tosti, Valente, Bixi, Tagliaferi, Leoncavalo... only superficially could be read as “light” genre, considering that it is a music of a great beauty and seduction but also of a possibility of sliding into the domain of over accentuated pathos and, consequently – into frivolous nonchalance. Goran Dime (who studied singing with Radmila Smiljanic, Biserka Cvejic, Gaetano Bardini; although the work with the eminent vocal professor from Belgrade, Olivera Jovanovic is crucial for his success) sings the works of old composers, contemporary (domestic) composers, opera repertoire, lead and – Neapolitan song, with equal success. This extravagant singer (he tried his hand even in pop music) is inclined, hopefully not definitely, to the concert solos.

          Goran Dime is a refined lyric tenor, with a voice of beautiful color and large volumen and with all registers well covered. He is a singer of a pronounced musical intelligence: in his substance, he is dedicated to discovering the musical text he is directed to; he is boasting a fascinating temperament and a total self-control at the same time. In all this, he is getting an important support from piano player Aleksandra Lalovic with whom, probably due to the coincidence of equal sensibilities, he accomplishes beautiful totality in an one-hour Neapolitan “bouquet”.

          Nevertheless, it would be interesting to hear how Goran Dime sounds on the opera scene, for example in the role of Lenski...